Some collections arrive fully formed and stay exactly the same for years. Aya is not one of those collections. Aya has always behaved more like a living conversation than a finished set of objects. Pieces appear, the language expands, materials start talking to each other in new ways, and before you know it the collection has grown again. The Aya Collection first stepped onto the international stage at the Dak’Art Biennale de l’Art Africain Contemporain, introducing a body of